JEANBAPTISTE CARPEAUX (FRENCH, 18271875)

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JeanBaptiste CARPEAUX (18271875) Le chinois Bronze à patine brune nuancée Signé.[...] lot

Jean-Baptiste Carpeaux (French, 1827-1875). Ugolino and His Sons, 1865-67. Saint-Béat marble. The Metropolitan Museum of Art, New York, Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967 (67.250).


JEANBAPTISTE CARPEAUX (18271875), Bacchante Aux Lauriers Christie’s

This major retrospective explores the life and work of the exceptionally gifted, deeply tormented sculptor who defined the heady atmosphere of the Second Empire in France (1852-1871). The first full-scale exhibition in thirty-nine years devoted to Carpeaux (1827-1875), it features about 150 works including sculptures, paintings, and.


JEANBAPTISTE CARPEAUX (FRENCH, 18271875)

Heilbrunn Timeline of Art History Essays Jean-Baptiste Carpeaux (1827-1875) Cybele Gontar Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art October 2004 Critics of mid-nineteenth-century sculpture in France called attention to its often slavish mimicry of ancient works and to the pomposity of public monuments.


testclod La Fiancée, oeuvre de JeanBaptiste Carpeaux (18271875)

Jean-Baptiste Carpeaux's marble sculpture "Why Born Enslaved!," originally titled "Négresse," is the centerpiece of the exhibition "Fictions of Emancipation: Carpeaux Recast" at the.


JEANBAPTISTE CARPEAUX (FRENCH, 18271875), Aurora Christie’s

Jean Baptiste Carpeaux Sketches of Two Children, Boats at Sea (recto); Sketches of Striding Male Figure Holding Staff and Coastal Scene (verso), 1847/75 Seated Figure with Head in Hands and Two Caricatures (recto); Four Figures in a Lunette (verso), 1847/1875


JeanBaptiste Carpeaux (18271875) Essay The Metropolitan Museum of Art Heilbrunn Timeline

Le Figaro (1873) by Jean-Baptiste Carpeaux Zimmerli Art Museum at Rutgers University. 'Inspired by the project, Carpeaux created his own figure of Figaro, the witty and ingenious character of eighteenth-century comedy and opera. The graceful attitude of this figure is characteristic of Carpeaux's work as well as an homage to Antoine Watteau.


JeanBaptiste Carpeaux Bacchante with lowered eyes French, Paris The Metropolitan Museum

Overview Signatures, Inscriptions, and Markings Provenance Exhibition History Title: Why Born Enslaved! Artist: Jean-Baptiste Carpeaux (French, Valenciennes 1827-1875 Courbevoie) Date: modeled 1868, carved 1873 Culture: French Medium: Marble Dimensions: 22 7/8 × 16 × 12 1/2 in., 132.7 lb. (58.1 × 40.6 × 31.8 cm, 60.2 kg)


JeanBaptiste Carpeaux Genius of the Dance French, Paris The Metropolitan Museum of Art

Why Born Enslaved! was first conceived in 1868 by Jean-Baptiste Carpeaux, one of the greatest French sculptors of the nineteenth century. The bust portrays a woman straining against a rope pulled taut around her arms, back, and breast.


JEANBAPTISTE CARPEAUX (18271875), 1873 , POURQUOI NAITRE ESCLAVE! Christie's

Works of Art Artist Bibliography Biography The son and grandson of stonemasons, Jean-Baptiste Carpeaux was born in 1827 in Valenciennes and moved to Paris at the age of eleven.


JeanBaptiste Carpeaux LA CANDEUR, MARBLE BUST, SIGNED AND DATED, ON A RED MARBLE BASE Haut. 66

Jean-Baptiste Carpeaux né le 11 mai 1827 à Valenciennes et mort le 12 octobre 1875 à Courbevoie est un sculpteur, peintre et dessinateur français . Biographie Autoportrait, dit aussi Dernier autoportrait (1874), huile sur toile, Paris, musée d'Orsay. Jean-Baptiste Carpeaux grandit dans une famille modeste d'ouvriers à Valenciennes.


JEANBAPTISTE CARPEAUX (FRENCH, 18271875) , Bust of a young maiden Christie's

Jean-Baptiste Carpeaux French 1873 On view at The Met Fifth Avenue in Gallery 556 The most successful sculptor of his epoch in france, Jean-Baptiste Carpeaux assiduously cultivated the imperial family for the honor of portraying its members.


JEANBAPTISTE CARPEAUX

Jean-Baptiste Carpeaux, a French Artist of Multiple Passions - The New York Times Tortured Soul, Golden Touch /10 By Roberta Smith March 27, 2014 Note the savvy come-hither title of "The Passions.


JEANBAPTISTE CARPEAUX LA RIEUSE NAPOLITAINE BC/AD Sculpture Ancient to Modern 2020

Jean-Baptiste Carpeaux (11 May 1827 - 12 October 1875) was a French sculptor and painter during the Second Empire under Napoleon III . Life Born in Valenciennes, Nord, son of a mason, his early studies were under François Rude. [1]


JEANBAPTISTE CARPEAUX (18271875)

View Jean-Baptiste Carpeaux's 2,028 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available sculpture, works on paper, and paintings for sale and learn about the artist.


JEANBAPTISTE CARPEAUX

Overview Signatures, Inscriptions, and Markings Provenance Exhibition History Title: Ugolino and His Sons Artist: Jean-Baptiste Carpeaux (French, Valenciennes 1827-1875 Courbevoie) Date: 1865-67 Culture: French, Paris Medium: Saint-Béat marble Dimensions: Overall (confirmed): 77 3/4 × 59 × 43 1/2 in., 4955 lb. (197.5 × 149.9 × 110.5 cm, 2247.6 kg);


(44) JeanBaptiste Carpeaux

Jean-Baptiste Carpeaux, (born May 11, 1827, Valenciennes, France—died Oct. 12, 1875, Courbevoie), the leading French sculptor of his time. His works, containing a lively realism, rhythm, and variety that were in opposition to contemporary French academic sculpture, form a prelude to the art of Auguste Rodin, who revered him.

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